Employing the aesthetics of uglinessbetween Baudelaire and Elias Abu Shabaka «Read in selectedforms»

This search offers a reading revealing the use of aesthetics of ugliness in the text of (Gothah= body), (Unecharogne) of the French poet Charles Baudelaire, of his Diwan (Azharasharr = The Flowers of Evil), and the text of Lebanese poet Elias Abu Shabaka (al-Qazurah = the dirt) from his diwan (Afaiy al-Firdaws = The Snakes of Paradise); Based on several submissions.
First: the text (Gothah= body) of the Boudelaire, and the text of the (al-Qazurah = the dirt) of Abu Shabaka, are based on a new aestheticthattranscends the usual beauty thatisfound in Venus and introduces a new form of the concept of beauty, exemplified by the beauty of ugliness.
Second: The aesthetics of ugliness are emittedfromfigure formations throughwhich the poetsportray the ugliness, immorality and deceit of women; Boudelaireand Abu Shabakain theirtexts, theyportray the ugliness of the vile, despicable and treacherous body of a womanwhosymbolizes the infamous city and the corrupt and distortedcivilization.
Third: Uglinesscanarouse a sense of pleasure; awoman’sugly and promiscuous image issteeped in pleasures. When the poets are aestheticelementswithin the artworktheycreatea feeling of resentment and distress but it leads to pleasure.
The studywasthereforefounded in a preface and two sections:
I took up the boot, familiarwith the poets, and defining the concept of aesthetics of ugliness.
First one: The aesthetics of the Woman in a poem (Gothah= body) of Boudelere: I addressedtwo aspects: the use of poeticconstructional uses in the expression of the beauty of ugliness, the second: the employment of analysisformations in the expression of aesthetics of ugliness.
The second: Aesthetics of the ugliness of the woman in a poem by the (al-Qazurah = the dirt)of Elias Abu Shabaka, in whichshepresented a reading of the aesthetics of the ugliness of Elias Abu Shabakafirst: The entrance: I talked about the influence and the impact between the Baudelaire and Elias Abu Shabakanetwork and the commonfeatures of the Poets in mypoem(Gothah= body), and the (al-Qazurah = the dirt), second: The semantic of the new forms, whichcontributed to the formation of the Figureby irony, the chromatic overlay.
Third: To employ the combination of contradictions and diode, fourth: The presence of the Figureof the Boudelaireexpressing the beauty of ugliness in a poem (al-Qazurah = the dirt) by Abu Shabakanetwork.